Cigarette Products:

The Social History of Smoking

George Latimer Apperson

Chapter 10:

About 1842, when Tennyson often dined at the Old Cock (by Temple Bar) and at other taverns, the perfect dinner for his taste, says his son, was "a beef-steak, a potato, a cut of cheese, a pint of port, and afterwards a pipe (never a cigar)." When the Kingsleys paid the Tennysons a visit about 1859, Charles Kingsley, so the Laureate told his son, "talked as usual on all sorts of topics, and walked hard up and down the study for hours smoking furiously, and affirming that tobacco was the only thing that kept his nerves quiet." The late Laureate, Alfred Austin, once asked Tennyson, after reading a passage in Dorothy Wordsworth's "Journal" that William had gone to bed "very tired" with writing the "Prelude," if he had ever felt tired by writing poetry. "I think not," said the poet, "but tired with the accompaniment of too much smoking."

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The Social History of Smoking

George Latimer Apperson

Chapter 13:

The ladies who so surprised Dickens were English and American, but at the period in question-the early 'forties of the last century-one of the freaks of fashion at Paris was the giving of luncheon parties for ladies only, at which cigars were handed round.

The first hints of feminine smoking in England may be traced, like so many other changes in fashion, in the pages of Punch. In 1851, steady-going folk were alarmed and shocked at a sudden and short-lived outburst of "bloomerism," imported from the United States. Of course it was at once suggested that women who would go so far as to imitate masculine attire and to emancipate themselves from the usual conventions of feminine dress, would naturally seek to imitate men in other ways also. Leech had a picture of "A Quiet Smoke" in Punch, which depicted five ladies in short wide skirts and "bloomers" in a tobacconist's shop, two smoking cigars and one a pipe, while "one of the inferior animals" behind the counter was selling tobacco. But this was satire and hardly had much relation to fact.

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